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'Bastard Pop', 2006.
A discussion regarding the musical genre of 'Bastard Pop' and why 'keepin' it real' isn't the only way to make real music.
2,383 words (approx. 9.5 pages), 7 sources, MLA, $ 73.95
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Abstract
This paper takes a look at the genre of music known as 'Bastard Pop'. According to the paper, 'Bastard Pop' is not a formal musical categorization, but rather a common, colloquial term for music that is the result of a fusion of different musical styles or elements, often using several different types of songs that are combined into one, new song or style.
Contents:
Definition
Is it Stealing?
Recent History
Artists and Critics Sound Off on Bastard Pop
The Grey Album: Is it art?
Conclusion
From the Paper
"In the 1990s, the phenomenon of downloadable music made the ability to fuse and combine genres even more accesible to everyday computer users and listeners, even young persons with only a PC in their bedrooms. Disc jockeys and then ordinary listeners could develop mixing techniques that turned first the record player, then the home computer into an instrument. Such technology-driven creativity gave birth to first such musical genres as disco, then to hip-hop and finally house and techno. "These innovations not only radically changed their immediate cultural and social contexts, but also served as templates for a variety of other musical practices around the world, so much so that contemporary popular music would be unthinkable without them." (Wehelive, 2004) Popular music, the argument goes, depends upon copying, and without such self-referential techniques, modern music would be much poorer."
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The Local Music Scene, 2006.
This paper is an ethnography of a local music scene.
3,585 words (approx. 14.3 pages), 4 sources, APA, $ 100.95
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Abstract
This paper is original ethnographic research, which describes the music scene in Houston and relates it to sociological theories. The author points out that, by focusing on the similarities between people and their values and cultural expressions, a consensus theorist would find much to discuss when analyzing the urban dance club scene; however, interactionist theory applies even more readily to the club scene than consensus theory because of the more intense focus on small group populations and because the patrons of a club gather together for basically the same purpose. The paper relates that postmodernists are able to analyze club culture by studying the impact that diversity and globalization have had on the global spread of musical styles, the blurred distinction between media-informed images of youth behavior and the value system shared by club goers.
Table of Contents:
Introduction
Ethnography
The Music
The Artists
The Fans
Sociological Observations and Analysis
Conclusion
Methodology
From the Paper
"Hip-hop is itself subdivided into numerous genres, each with its own flavor, style, and mood. At dance clubs like Crome, hip-hop tunes retain the warm, fun vibe of rap music while pumping out more regular beat patterns than some of the more soulful or underground artists use. Moreover, modern hip-hop is often infused with world beat samples, derived from Middle Eastern or Eastern European scales that add a distinct sound. When a live MC is in the house, the hip-hop comes alive, hearkening back to the heyday of the genre as a coalescing of looped samples, turntable mixing, scratching, and MC-ing."
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What's Wrong With Peace?, 2007.
This paper discusses the song "Imagine" by John Lennon.
1,044 words (approx. 4.2 pages), 3 sources, MLA, $ 36.95
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Abstract
In this article, the writer introduces, discusses and analyzes the song "Imagine" by John Lennon. Specifically, it explores this music's effect on the social, political and economic conditions of the time. The writer points out that some pieces of music just simply define a generation, place and time. Further, the writer notes that when one hears songs such as "Imagine", they bring back memories, nostalgia and strong feelings, no matter how old the music is. "Imagine" by John Lennon is one of those songs that has already long outlived its composer. The writer concludes that it is a song of hope, peace and reflection and that nothing could define the 1970s more than such music.
From the Paper
"Perhaps the most controversial version was performed recently at the 2006 Winter Olympics in Torino during the opening ceremonies. Yoko Ono read some of the lyrics, and then Peter Gabriel performed the piece. It was a haunting and touching moment that came under fire from critics because of the "political" overtones they felt it held. Frankly, the idea of singing about peace and world unity during an event where the world gets together to compete seemed like a perfect marriage to many others, including this viewer."
"It is hard to "imagine" any other song with quite the world impact of this one. Socially and politically, it became an instant classic nearly as soon as Lennon released it. Today, people remember it as an anthem of the 1970s, a time of unrest due to the Vietnam War and changing values in American society. Living together in peace was a universal message even then, and the song has spread around the world."
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Felix Mendelssohn, 2007.
A discussion on the life and musical achievements of Felix Mendelssohn.
1,738 words (approx. 7.0 pages), 5 sources, MLA, $ 56.95
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Abstract
This paper discusses the life of the early romantic composer, Felix Mendelssohn. The paper gives a short biography of his life, concluding with his death at age thirty eight. The paper discusses Mendelssohn's Jewish heritage. It then spends some time discussing his musical style, symphonies, piano and choral music. The paper concludes that Mendelssohn artfully combined the older classical style with newer romantic ideas regarding composition, and thereby gracefully bridged these dramatic musical changes.
Table of Contents:
Short Biography
Jewish Heritage
Musical Style
Symphonies
Piano Music
Choral Music
Conclusion
From the Paper
"This blending of Classical with Romantic effects is particularly noticeable in "Elijah," the story of a prophet from the Old Testament. The oratorio is full of intensely emotional and potentially disturbing scenes, such as the chorus fervently calling for Baal to accept their pagan offering and set it ablaze. Other sections reassure the despairing Elijah that God will not let him drift off into sleep because he needs Elijah to watch over Israel. In a music soothing and reassuring, the chorus tells the audience that Elijah will "slumber not, nor sleep." He will continue to prophesize and help them to the right path. At the end of the piece, God takes Elijah to Heaven in a fiery chariot. The accompanying music provides images of lightning, with the chorus providing "stormy rhythms and drawn-out cries.""
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Christian Music, 2007.
A discussion into the effects of Christian music on a person's mood.
2,379 words (approx. 9.5 pages), 10 sources, MLA, $ 72.95
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Abstract
This paper analyzes the effects of Christian music. It begins by describing this fast growing form of popular music in the United States today. It goes on to discuss the general effects of music on a person's mood and then speaks more specifically about the effects of Christian music as well as discusses possible reasons for its increasing popularity today.
Table of Contents:
Introduction
General Effects of Music on Mood
Emerging Venues for Christian Music
Specific Factors that Differentiate Christian Music from Other Genres
Potential Reasons for the Increase in Popularity of Christian Music in Recent Years
Changes and Trends in the Expectations of Christian Music Listeners
Implications of Findings for Helping Professionals and Christian Leaders
Conclusion
From the Paper
"Christian leaders can harness the positive power of Christian music in their services. Including pieces of joy and hope, peace and comfort, can give followers a sense of well being and a renewed commitment to God and trusting in his Word. Playing pieces of motivation and the glories of sharing God's Word can inspire followers to go out and share the Word of the Lord with others. Even the encouragement of sharing of Christian music with non-believers can be a powerful form of evangelism. As non-believers hear the message of God in the form of pleasing music they begin to see all the wonderful possibilities that are opened to them, thanks to God and his grace. Leaders can use the positive effects Christian music has on listeners to increase evangelism and positively affect the mood of their followers."
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Brazilian Music, 2007.
A discussion of the forms of music popular in Brazil today.
2,217 words (approx. 8.9 pages), 10 sources, MLA, $ 68.95
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Abstract
The paper illustrates how music is the heart of Brazil and is the foundation for many of Brazil's festivities and a focal point for religious ceremonies. The paper shows how, as the universal language, music reaches across all cultural and socio-economic boundaries and no where is this more true than in Brazil. The paper discusses Samba, the most internationally famous form of Brazilian music and the Bossa Nova genre that has become very popular within the international community. The paper contends that throughout the decades, Brazilian music has managed to attain and retain its original ethnic expression and continues to represent the heart of Brazil.
From the Paper
"The 1578 "Journey to the Land of Brazil" by Jean De Lery, a French Calvinist pastor, is the source for the earliest known descriptions of Brazilian music, in which he describes the dances and transcribed the music of the Tupi people (Music). In 1587, Gabriel Soares de Sousa's "Tratado Descritivo do Brasil" depicts the music of several native Brazilian ethnic groups, including the Tamoios and Tupinambas (Music). Portugal's King Joao VI, who was a lover of music, spent a good deal of time in Brazil, and even sent for prominent European musicians to join him (Music). Among these musicians were Austrian pianist Sigismund von Neukomm and composer Marcos Portugal, while local Brazilian musician, Jose Mauricio Nunes Garcia, an organist and clavichordist, was appointed Inspector to the Royal Chapel (Music)."
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Ritchie Valens, 2007.
A discussion of Luis Valdez's 1987 movie, "La Bamba", about Ritchie Valens.
752 words (approx. 3.0 pages), 3 sources, MLA, $ 26.95
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Abstract
The paper describes how Luis Valdez's movie, "La Bamba" provides a fairly accurate account of the social trials endured by Ritchie Valens during his short life. The paper discusses how Valdez wrote a compassionate screenplay about Valens' rise to fame, his relationship with his family and the prejudices that he faced during that era. The paper explains that Valens succeeded in becoming famous for his music by combining the qualities of his Mexican-American heritage and creating a new unique sound. Valens succeeded in becoming part of both cultures; he was the first Latino teen idol.
From the Paper
"Valens was just shy of his eighteenth birthday when he died in a plane crash with Buddy Holly and the Big Bopper while touring. Valdez's movie opens with two planes exploding in the air while children are playing on a playground. Although this scene adds a note of sadness at the very beginning of the movie, it also provides the audience with an omen, a prediction of what is to come. However, it also is the first clue that the audience receives concerning Valens' fear of flying, and his superstitious nature, much of which was rooted in his Hispanic heritage."
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Miles Davis, 2006.
A review of the life and work of Miles Davis, said to be one of the greatest musicians of his time.
2,112 words (approx. 8.4 pages), 7 sources, MLA, $ 66.95
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Abstract
This paper reviews and discusses the life of jazz musician, Miles Davis. According to the paper, the music and the artistic innovation of Miles Davis made him one of the most popular jazz musicians in musical history. The paper further discusses how his influence as a composer, bandleader, artist and innovator in the field of jazz is still evident today.
From the Paper
"In 1948 Davis had organized a nine-piece band which included a very unusual horn section; an early indication of his propensity for innovation and experimentation. "In addition to himself, it featured an alto saxophone, a baritone saxophone, a trombone, a French horn, and a tuba. "(Miles Davis) The band received a contract in 1949 from Capital records and went on to produce a record which at first received little attention but which was to be released in 1957 as the famous "Birth of the Cool" album. In the interim the music that Davis and his band were producing was to have an enormous influence on and many other musicians. Among these musicians were figures such as; Gerry Mulligan, John Lewis, J.J. Johnson, and Kenny Clarke. The music that Davis was creating at this time was to have "....a profound influence on the development of the cool jazz style on the West Coast. " (Miles Davis) "
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Isolation in Poetry and Music, 2007.
An analysis of the isolation depicted in "Vincent" by Don McLean, "Cry" by Casey Scott and "Six Feet Under" by Alan Ball.
2,971 words (approx. 11.9 pages), 11 sources, MLA, $ 87.95
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Abstract
This paper discusses the recurring theme, in poetry, music and film, of isolation, loneliness and of being marginalized by society because a person is different. The paper discusses the song-poem "Vincent" by Don McLean, which looks at a portrait of Vincent Van Gogh. It then discusses the song, "Cry" by Casey Scott, which shows another form of marginalization of someone who is suffering from depression. Finally, the paper looks at the series "Six Feet Under" by Alan Ball and discusses the character of Billy, who is schizophrenic.
From the Paper
"While almost all the regular characters on the show are on the fringes of societal norms and it is well known that this series highlights dysfunctional people and families. I think Billy is the saddest. He is diagnosed as schizophrenic and he is also a photo artist. Poor Billy lives the dreaded life of the life long mental patient. (Remember that this illness also has chemical and physical causes.) Billy on medication is likable and productive. He teaches photography and earns a good living. However, he has no edge to make his own photo essays unique. He is creatively dead. Billy off medication is sometimes wildly wonderful or violently insane and dangerous to himself and others. Billy constantly struggles with his desire to feel strong passion, which he cannot do while medicated. However, when he goes off medication, his life becomes a ruin."
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Orientalism in the Opera "Turandot", 2007.
This paper explores the representation of the East in Giacomo Puccini's opera "Turandot."
3,907 words (approx. 15.6 pages), 8 sources, APA, $ 106.95
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Abstract
This paper examines the Opera "Turandot" and how the Orient is portrayed in relation to Western conceptions of the East. This research uses Edward Said's essay on Orientalism to further construct the exotic East in "Turandot." Also addressed is the question "how does this opera exemplify the East as being savage and archaic when compared to Western thought and culture?" Both Orientalism and the writings of Edward Said are discussed.
Outline:
Abstract
Objective
Introduction
Overview of Orientalism
Overview of Edward Said
Overview of the "Turandot" Opera
Gozzi's "Turandot" Opera
Puccini's "Turandot"- Giacomo Puccini (1858-1924)
An Asian view of the "Turando" opera
Discussion
Bibliography
From the Paper
"The Metropolitan Opera states that "Orientalism is the term used to describe Western fascination with the 'exotic' cultures of the Eastern hemisphere." Stated as well is that Many works of art, including operas like "Die Entfuhrung aus dem Serail' and 'Madama Butterfly', have illustrated and enforced the West's idea of the dangerous, sensual, alien East." (Metropolitan Opera, 2006) The Metropolitan Opera further reveals that: "In order to create a more 'realistic Chinese atmosphere, Puccini read many books on the culture and ceremonies of China. He also sought out real Chinese music to imitate." (Metropolitan Opera, 2006) "
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