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E. M. Forster's "Passage to India", 2008.
Discusses the colonial strife in India as presented in E. M. Forster's novel "Passage to India".
1,580 words (approx. 6.3 pages), 5 sources, MLA, $ 51.95
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Abstract
This paper explains that situations of racial and ethnic strife occurred long before the British colonization of India; however, the British presence created a worsened landscape. The paper relates that this stark realization of racism is played out in E. M. Forster's novel "Passage to India", especially within the symbolism of the Marabar Caves, which is the orient to the usurpers. The author points out that the trial of protagonist Aziz is an example of how such mystery feeds the minds of a fearful population, both native and white.
From the Paper
"The foundations of the strife between the characters and the community in stark realization, during the only time in the novel when the "truth" is allowed to be heard is still evident, as many probably walked away from the incident and the trial with a clear sense of the mystery that surrounds the caves. No one is allowed to discover the whole truth, as to whom if anyone really attacked the white woman, or if it was simply the fear of the surroundings that rebuffed the young girl."
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"Othello", 2008.
A discussion on Iago's soliloquies in "Othello" by William Shakespeare in Act I.3.375-396.
1,151 words (approx. 4.6 pages), 1 source, MLA, $ 39.95
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Abstract
The paper states that throughout the play "Othello" by William Shakespeare, the only character to speak to the audience directly and intimately, is the character of Iago. He speaks to the audience and discloses his true motivations for his treacherous actions in the world of the play. The paper comments that Shakespeare uses this literary device specifically to show the audience the true colors of Iago. In the last passage of Act 1, Act 1.3.375-396, Iago's soliloquy is a glance at his manipulative psyche, where he believes himself to be the master of the other characters. His excessive pride and deception later result in the tragic end of the play. The paper notes that the audience develops a strange, but special, relationship with Iago through his manic ridden soliloquies. In the end, however, Shakespeare chooses to end Iago's term as master of the play and reclaims his position as playwright from the arrogant Iago.
From the Paper
"He uses his role as confidant to the other characters to manipulate them into believing he has their best interest in mind, when really he plays them pawns against each other for his own goals. Iago shows the audience his dislike for Roderigo, which therefore allows the audience special access into the real world of Cypress where Iago pulls the strings, and not Othello. This passage also shows the depth of Iago's deception. As seen when he discusses Othello later in his soliloquy, Iago takes great pains to make himself the innocent confidant, when his true purpose is to destroy those who trust in him."
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Songs versus Sonnets, 2008.
Compares songs and sonnets using examples from William Shakespeare and Elizabeth Barrett Browning.
1,525 words (approx. 6.1 pages), 4 sources, MLA, $ 50.95
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Abstract
This paper explains that both the poetic forms of songs and sonnets are common ways that individuals throughout the ages have expressed their thoughts and feelings, quite often but not exclusively about romantic love. While songs often have some form, such as a refrain, a repeating phrase or a melody, sonnets must adhere to a very specific structure. The author presents the history and construction of songs and sonnets. The paper relates that the fact that a song occurs during a play means that the audience likely wants to listen to something actively rather than take time to meditate on a few lines' meaning as they would for a sonnet.
From the Paper
"In the second rhymed stanza, the poet thinks about how the sun shines too hot, dimming the gold complexion of the beloved. He is worried that chance or simply time can rob even a beloved of physical beauty. This is not merely a celebration of love, because the lover understands with foresight the transience of all love, all mortal existence, and realizes that earthly love is not for 'all time,' even though many songs celebrate the sensation that love will last forever. It is also abstract--the poet is not afraid simply that the beloved will leave him, but the fact that everything mortal fades and dies."
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James Joyce's Place in Literary History, 2008.
This paper discusses James Joyce and how his works have ensured him an important place in literary history.
1,436 words (approx. 5.7 pages), 7 sources, MLA, $ 47.95
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Abstract
In this article, the writer notes that great artists become famous and immortal because of the mark they leave in this world that made a difference; a difference that proved their innovativeness and deep understanding of their arts. The writer notes that it is in breaking with traditions and conventions of his time, and formulating his own canon of literature that ensured James Joyce a place in literary history where his works will still be discussed for decades to come. The writer points out that although Joyce wrote other literary pieces like 'Finnegans Wake' and 'Chamber Music', it is 'Ulysses' that brought concrete proof that Joyce will never be dismissed from the annals of literary masterpieces. The writer discusses that he writes with a cool and masterful detachment, which allows the reader to approach Joyce with a completely open mind, sometimes liking the warm humanity, sometimes detesting the cold arrogance of the man, always having the sense that he who was often a fool in his life was always wise in his work.
From the Paper
"Dubliners depicted the stories of middle-class Irish folks living in Dublin in the early 20th century and the book exposed the feelings of nationalism and patriotism at the time when Ireland is seeking its own identity apart from British dominion. The importance of Dubliners in the annals of literature - and in Joyce's writings for that matter - is that the characters in the book served as a jump-off point for characters seen later in his other books.
"Dubliners did not give Joyce the rags-to-riches opportunity but instead it paved the way to a brighter and better literary career. A Portrait of the Artist as a Young Man was Joyce's next piece de resistance, and was published in 1916. Portrait is somewhat an autobiographical book that depicts the life of Joyce's "alter ego" in the person of Stephen Dedalus. It is an epiphany of sorts for Joyce because his main character had a religious, social and political awakening and began questioning the teachings of the Catholic Church and the idealisms of Irish culture and tradition. The rebellious nature of Dedalus and his eventual departure for Paris paralleled the life Joyce had earlier on."
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Russian Literature, 2008.
An analysis of the poem "The Bronze Horseman", the drama "Boris Godunov" and the tale of "Boris and Gleb" by Alexandr Pushkin.
1,923 words (approx. 7.7 pages), 0 sources, $ 61.95
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Abstract
The paper provides a synopsis of Alexandr Pushkin's poem "The Bronze Horseman", the drama "Boris Godunov" and the tale of "Boris and Gleb". The paper describes the profoundly Christian morals of "Boris and Gleb" which defined early middle ages Russia, the political tribulations behind the accession to the throne in imperialistic Russia of the 17th century depicted in "Boris Godunov" and the social consequences of Russian expansionism as suggested through metaphors in "The Bronze Horseman". The paper also shows how each of these three literary works are valuable pieces of literature as well as testimonials of their eras.
From the Paper
"Before writing plays, Pushkin was an accomplished poet. But then he discovered Shakespeare and his manner of writing changed forever. Although his plays were revolutionary, the state of the theater during Pushkin's time was not favorable to his writings mainly because people went to the theater to see old-fashioned historical tragedies and the French vaudeville that was penetrating the Russian theater scene. Moreover, the theater lacked good Russian plays on Russian themes despite the fact that the Russian theater was never short of good playwrights. "
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"Charlie and the Chocolate Factory", 2008.
A comparison of the book "Charlie and the Chocolate Factory" by Roald Dahl and the movie based on the book, retitled "Willie Wonka and the Chocolate Factory".
1,078 words (approx. 4.3 pages), 2 sources, MLA, $ 37.95
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Abstract
The paper provides a separate review of the two versions of the story, the original book, "Charlie and the Chocolate Factory" and the movie version of this book, retitled "Willie Wonka and the Chocolate Factory". The paper compares the two versions of the story and shows how despite their differences, both stand as absolute pillars of children's entertainment.
From the Paper
"Roald Dahl famously complained that the first film version of his seminal work, Charlie and the Chocolate Factory was a corruption that neutered the sting of his parable. The book is simply drawn and was intended to be in the vein of the traditional cautionary tales. The story, centering on a clearly eccentric and out-of-the-mainstream adult, presents the reader with a simple idea - that if you pursue your passion with honor, integrity, and with a clear sense of purpose, you will be successful."
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Immigration in "Chorus of Mushrooms", 2008.
An analysis of Hiromi Goto's book, "Chorus of Mushrooms" and the subjective presentation of the immigration phenomenon.
868 words (approx. 3.5 pages), 3 sources, MLA, $ 30.95
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Abstract
The paper discusses Hiromi Goto's book, "Chorus of Mushrooms" that focuses on three generations of women; the eighty year old Naoe, her daughter Keiko and the granddaughter Muriel and their subjective view points on immigration. The paper explores the different positions taken by grandmother, daughter and granddaughter in relating to and accepting the new territories, cultures, language and people. The paper highlights how the subjectivism of the novel takes the immigration phenomenon out of its demographic and political context to look at it through the eyes of those leaving their homes.
From the Paper
"Five year old Naoe and her family were forced out of their home and thrown into the world in search of a new life. The need for a new life has taken Naoe to numerous towns, cities and even countries, eventually leading her to Canada at the age of sixty. The immigration motif is relevant to the Chorus of Mushrooms as it portrays the elements that define a large part of the population. Just as Naoe, most immigrants leave their houses with the hope of finding a better life. Some find it, while others don't. But what unites this large mass of immigrants is their constant longing for the places and the people they left behind, for the things they grew up with and for the things that first gave meaning to the word home."
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Edgar Allan Poe, 2008.
An analysis of the contribution of the narrators to the plot of "Hop Frog" and "The Cask of Amontillado" by Edgar Allan Poe.
984 words (approx. 3.9 pages), 2 sources, MLA, $ 34.95
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Abstract
This paper discusses how the narrators of "Hop Frog" and "The Cask of Amontillado" by Edgar Allan Poe lend themselves particularly well to a discussion of narrators. The paper relates that the story "Hop Frog" features a first-person narrator that is never named. Instead, he remains in the background while he relates the events of the story. He indicates that he observes the events as they occur, but he is never part of these events. The paper points out how, in addition to narrating in the first person, Poe accomplishes the rather unusual combination of narrator as both first person and omniscient. The paper then looks at, how in "The Cask of Amontillado", the narrator also tells a story of revenge and explains that the the main difference between the two stories is that, in "The Cask of Amotillado", the first-person narrator and the avenger are one.
From the Paper
"The climax provided by the "Hop Frog" narrator is more striking than that of "Amontillado". The reason for this may lie in the style of the stories. The tone of the narrator, as well as the way in which he relates events before the climax, forms a sharp contrast with the horror of the burning. The narrator's unchanging conversational tone provides the same contrast. Because "Amontillado" has more focus, the reader also focuses upon the end. Having been prepared for brutality since the start of the story, the reader expects it, and is therefore not as deeply struck by the climax. "
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"Where are you Going, Where Have You Been?", 2008.
A review of Connie's thoughts and feelings within in Joyce Carol Oates's short story "Where are you Going, Where Have You Been?"
870 words (approx. 3.5 pages), 1 source, MLA, $ 30.95
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Abstract
The paper discusses and summarizes "Where Are You Going, Where Have You Been?", Joyce Carol Oates's giddily frightening short story about a teenage girl's terror when confronted with the character of the wolf-like predator Arnold Friend. The paper describes Connie's thoughts and feelings and how they ultimately determine the story's outcome.
From the Paper
"Arnold's threatening words and actions while outside Connie's doorstep are foreshadowed early on when he warns Connie after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (p. 2279). From then on, Arnold's quest to "get" Connie feels to Connie, in its dangerous intensity, like the predatory evil of the scariest fairy tale characters, e.g., the Big Bad Wolf. Shaggy-haired Arnold who drives "a jalopy painted gold" (p. 2279) first notices Connie at a "drive-in restaurant where older kids hung out" (p. 2278). Like Connie, the reader becomes frightened by the appearance, words, and actions of Arnold and Ellie Oscar. Both seem to Connie, suddenly, like evil incarnate when they arrive at the front door and refuse to leave."
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"Winter Dreams", 2008.
A summary and analysis of the theme of F. Scott Fitzgerald's short story, "Winter Dreams".
808 words (approx. 3.2 pages), 0 sources, MLA, $ 28.95
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Abstract
This paper looks at how, in F. Scott Fitzgerald's "Winter Dreams", the character of Dexter dreams of winning the love of Judy Jones. In particular, the paper focuses on whether Dexter's dream simply represents the unrequited love of an adolescent or whether it represents in microcosm the American dream.
From the Paper
"Dexter is fourteen when we meet him. He is confident and a daydreamer and spends time in the "fairways of his imagination" (318). Dexter's real dreams begin when he meets Judy Jones. Dexter is a caddy, and Judy is fourteen, "beautifully ugly as little girls are apt to be" (Fitzgerald 318). When they meet on the golf course, Dexter is immediately smitten. Dexter describes Judy as "inexpressibly lovely" (318) and believes she will "bring no end of misery to a great number of men" (318). Dexter is completely overwhelmed by the depth of his attraction to Judy. After a chance meeting several years later, Dexter again falls under Judy's spell. Even when he knows Judy lies to him, he is heartened at her attention and care that "she had taken the trouble to lie to him" (323). "
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